![]() ‘It was important to me that everybody that is involved in dubplate culture in New Zealand was asked and given the opportunity to submit something. The label draws heavily from the rub-a-dub style of deejaying and believes that a good riddim has potential above and beyond one song. The More Fire label has at its heart, a philosophy of fostering the relationship between artist and producer, which is essential in making good reggae and dancehall music. It is a testament to the endurance and strength of purpose that exists in reggae in Aotearoa, with every contributing sound-system bringing energy, innovation and vision to the music and the movement.Ĭrate Killaz was compiled and mixed at More Fire Studios in Wellington, NZ by Jnr Ranks – original Dancehall Dons founder and longtime player in the NZ scene. Beginning with a dub recorded in 1995, and ending with one recorded in 2007, this release brings together key sound-systems, highlights the history and development of the music and signals the way forward for an ever-growing scene. Traditionally they have been used by sound-systems to compete against each other in sound clashes.Ĭrate Killaz reflects the diversity that exists in sound-system culture throughout New Zealand. Originally a one-off acetate version of a tune, voiced or mixed exclusively for a particular sound-system, now dubplates are usually burnt to CD or encoded as mp3, but are still exclusive voicings or mixes. In dancehall culture, Dubplates are exclusive versions of a song. Killaz is the first release of its kind in Aotearoa – a collection of dubplates from New Zealand reggae crews that spans a generation of sound-system culture from the North to the South. ^ "GANJA CRU - full Official Chart History".^ "DJ Hype: "Life is about being a true player, keep it real" ".^ "DJ Hype - full Official Chart History"."Fantasy-FM - London pirate radio history - AM/FM". ^ Stephen Hebditch (27 February 2015).Sounds Like London: 100 Years of Black Music in the Capital. ![]() Interview published originally in 2005 by. " 'Experimentation All the Way': An Interview with Shut Up and Dance". ^ Bill Brewster Frank Broughton (23 January 2019).^ "DJ Hype - Biography & History - AllMusic"."DJ Hype and Shut Up And Dance Talk Music, History And The Importance Of Objectivity". ^ a b c Manu Ekanayake (17 November 2015).Drum & Bass Essentials - a triple CD compilation mixed by DJ Hype.World Dance - The Drum 'n' Bass Experience.Super Sharp Shooter (with The Ganja Kru) (Parousia/ BMG).Tiger Style / Mash Up da Place (with The Ganja Kru) (Ganja Records).Computerised Cops / You Must Think First (with The Ganja Kru) (Ganja Records).Exorcist / The Bee (with The Scientist) (Kickin'Records).On 30 March 2009, Hype released a new double album mix compilation on Rhino Records, entitled DJ Hype presents Drum and Bass Essentials.ĭiscography Singles/EPs Hype is known for his jump-up deejay sets, including appearances at the Playaz night at Fabric. Hype's 1997 Parousia EP, New Frontiers, with Ganja Kru, reached No. Re-released in 1997, its success also led to a major label deal with BMG's Parousia sub-label and the establishment of True Playaz, an MC-led deejay and production unit also including DJ Zinc, Pascal and Rude Bwoy Monty. Their popularity peaked in 1996 with the release of their first album, Still Smokin', a label compilation released jointly by Ganja and Pascal's Frontline imprint. Hype's Ganja Records label gained popularity primarily through dance floor fillers such as "You Must Think First", "Tiger Style" and DJ Zinc's "Super Sharp Shooter". By 1994, he had become a big name in the breakbeat hardcore and jungle raves - landing awards for Best Male DJ and Best Radio DJ (in 19 respectively) at the UK's Hardcore Awards, and hosting a show on the legal station Kiss 100. Suburban Base released Hype's track "Shot in the Dark" that made the UK Singles Chart in 1993. Around this time, Hype hosted a show on the London pirate radio station Fantasy FM, and he was famed for his mixing and scratching skills. UK garage producer Wookie remembers that Hype worked with The Scientist on "The Bee" to create one of the first jungle tunes to hit big, following "£10 to Get In" by Shut Up and Dance in 1989. Hype began producing in 1989, engineering and co-producing tracks (including "Exorcist" and "The Bee") for Kickin'Records, Strictly Underground and Suburban Base. Hype first became involved in music as a teenager in 1982, assisting PJ and Smiley with their sound system Heatwave in East London, which evolved into Shut Up and Dance. Kevin Ford (born 1968 ), better known as DJ Hype, is a British jungle and drum and bass producer and DJ.
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